Path: ...!weretis.net!feeder9.news.weretis.net!panix!.POSTED.panix2.panix.com!panix2.panix.com!not-for-mail From: kludge@panix.com (Scott Dorsey) Newsgroups: rec.arts.sf.fandom Subject: Re: CRIT awards code of conduct Date: 4 Jul 2024 12:58:42 -0000 Organization: Former users of Netcom shell (1989-2000) Lines: 16 Message-ID: References: Injection-Info: reader1.panix.com; posting-host="panix2.panix.com:166.84.1.2"; logging-data="6311"; mail-complaints-to="abuse@panix.com" Bytes: 1375 >[Hal Heydt] >I've been wondering if organizations were doing that. Pretty >much all of the classical Russian composers pre-date Putin, and >many pre-date the Soviet Union. I'd rather hate to see Borodin's >"In the Steppes of Central Asia" or any number of >Rimsky-Korasakhov's works dropped from being played (just to cite >a couple of examples). In the Steppes of Central Asia is interesting in modern times because it celbrates a land that isn't part of Russia but which Russia desperately wants. Same goes for the Gayane Ballet Suite. Hope they are playing Berezovsky's Ukranian suites again, though. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis."