Path: ...!eternal-september.org!feeder3.eternal-september.org!news.eternal-september.org!.POSTED!not-for-mail From: "Evelyn C. Leeper" Newsgroups: rec.arts.sf.fandom Subject: Re: CRIT awards code of conduct Date: Thu, 4 Jul 2024 10:22:12 -0400 Organization: A noiseless patient Spider Lines: 22 Message-ID: References: MIME-Version: 1.0 Content-Type: text/plain; charset=UTF-8; format=flowed Content-Transfer-Encoding: 7bit Injection-Date: Thu, 04 Jul 2024 16:22:13 +0200 (CEST) Injection-Info: dont-email.me; posting-host="27f9c002d88a1ee4e54d6dab8b93686e"; logging-data="2944264"; mail-complaints-to="abuse@eternal-september.org"; posting-account="U2FsdGVkX18OleWB1zLreZDIRZzQW/YJ" User-Agent: Mozilla Thunderbird Cancel-Lock: sha1:A59ItvF/OdW13nZ7gMZip9oLeLA= Content-Language: en-US In-Reply-To: Bytes: 1997 On 7/4/24 8:58 AM, Scott Dorsey wrote: >> [Hal Heydt] >> I've been wondering if organizations were doing that. Pretty >> much all of the classical Russian composers pre-date Putin, and >> many pre-date the Soviet Union. I'd rather hate to see Borodin's >> "In the Steppes of Central Asia" or any number of >> Rimsky-Korasakhov's works dropped from being played (just to cite >> a couple of examples). > > In the Steppes of Central Asia is interesting in modern times because it > celbrates a land that isn't part of Russia but which Russia desperately > wants. Same goes for the Gayane Ballet Suite. > > Hope they are playing Berezovsky's Ukranian suites again, though. > --scott Or Mussorgsky's "Great Gates of Kiev". -- People are surprised when they find out I am anti-vax, but I'm sorry, the Sun3 was just a better machine. [@AmenZwa on Mastodon]