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From: kludge@panix.com (Scott Dorsey)
Newsgroups: rec.arts.sf.written
Subject: Re: YASFID strange color
Date: Tue, 22 Jul 2025 08:41:25 -0400 (EDT)
Organization: Former users of Netcom shell (1989-2000)
Message-ID: <105o0tl$7gs$1@panix2.panix.com>
References: <pan$8287b$9f14df55$976a4592$4c1d29e3@cpacker.org> <9n7a0klgchoc30pm0i0qb5hv87jgb2ge5m@4ax.com> <vu65ao$dc$1@panix2.panix.com> <ulcf0kdb7sqvm16u76dibulvjm29brk0r0@4ax.com>
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Paul S Person  <psperson@old.netcom.invalid> wrote:
>On Mon, 21 Apr 2025 15:12:24 -0400 (EDT), kludge@panix.com (Scott
>Dorsey) wrote:
>
>>Paul S Person  <psperson@old.netcom.invalid> wrote:
>>>On Sun, 20 Apr 2025 10:03:20 -0400 (EDT), kludge@panix.com (Scott
>>>Dorsey) wrote:
>>>
>>>I don't normally do this but, as it happens, I recently saw a film
>>>based on the story that I really liked:
>>><https://www.amazon.com/review/R3M5UVI9YLBC4D/ref=3D3Dcm_cr_srp_d_rdp_p=
>erm?=3D
>>>ie=3D3DUTF8>
>>>
>>>These films all face (or faced?) a similar problem: how do you show,
>>>on the silver screen, a color that is different from all known colors?
>>
>>You shoot it in black and white and rely entirely on the protagonist's
>>verbal description.
>
>And I have seen an Italian version that did just that.=20

Do you have any info on where I could find it?  I absolutely have to
see that, and maybe I need to run it at Boskone too.
--scott

-- 
"C'est un Nagra. C'est suisse, et tres, tres precis."