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Path: ...!weretis.net!feeder9.news.weretis.net!i2pn.org!i2pn2.org!.POSTED!not-for-mail From: nyarlathotep1@hotmail.com (Norbert) Newsgroups: rec.music.beatles Subject: Neat Touches To Lennon/McCartney songs From George Date: Sun, 15 Dec 2024 22:14:17 +0000 Organization: novaBBS Message-ID: <117af11d5ef55475dfd733d5e2a2c2dc@www.novabbs.com> MIME-Version: 1.0 Content-Type: text/plain; charset=utf-8; format=flowed Content-Transfer-Encoding: 8bit Injection-Info: i2pn2.org; logging-data="3043304"; mail-complaints-to="usenet@i2pn2.org"; posting-account="jHSG7cE2S9tCiwNMo3DGhaiamUtTAcQZosSD3d15Pig"; User-Agent: Rocksolid Light X-Spam-Checker-Version: SpamAssassin 4.0.0 X-Rslight-Posting-User: 6048208f8e4825d9cf9eefdf20568224fc305389 X-Rslight-Site: $2y$10$L6s8ldAjqKvV50Fcx32sveOD3GfO5SEcXSuGQxIX8LY0OM9HXsEGa Bytes: 1327 Lines: 13 We all know that McCartney added the frenzied guitar solo to Harrison's "Taxman." What, however, are some cool touches on Lennon/McCartney songs that came from George? I've read that the major 6 chord that ends "She Loves You" was George's idea. And that the changes from 4/4 time to 6/8 time in "We Can Work It Out" were George's inspired proposal. (He had done similar time changes in a few of his own songs.) What else, anyone?