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Path: news.eternal-september.org!eternal-september.org!feeder3.eternal-september.org!i2pn.org!i2pn2.org!.POSTED!not-for-mail From: nyarlathotep1@hotmail.com (Norbert) Newsgroups: rec.music.beatles Subject: Best Song With Contrasting Paul & John Sections Date: Tue, 6 May 2025 10:17:04 +0000 Organization: novaBBS Message-ID: <237966925b56c08903bbde729300f8ad@www.novabbs.com> MIME-Version: 1.0 Content-Type: text/plain; charset=utf-8; format=flowed Content-Transfer-Encoding: 8bit Injection-Info: i2pn2.org; logging-data="3360651"; mail-complaints-to="usenet@i2pn2.org"; posting-account="jHSG7cE2S9tCiwNMo3DGhaiamUtTAcQZosSD3d15Pig"; User-Agent: Rocksolid Light X-Rslight-Site: $2y$10$oZzpfRCAadzCJpG0sNfOG.LU0DLJJJE7bOdgpDQstidSH60qUCvjO X-Rslight-Posting-User: 6048208f8e4825d9cf9eefdf20568224fc305389 X-Spam-Checker-Version: SpamAssassin 4.0.0 Lennon once said something to the effect that, when he and Paul added different sections to songs, Paul's parts reflected his sunnier disposition, while his [John's] were more pessimistic. The songs on which they did this include "A Hard Day's Night," "A Day in the Life," and "I've Got a Feeling." Where did this collaboration work best? IMO, it's "We Can Work It Out." It's got great melodies, it does not drag anywhere, there are interesting musical touches (such as the switch to 6/8 at the end of each chorus), and the guys' different sections really do contrast.