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Path: news.eternal-september.org!eternal-september.org!feeder3.eternal-september.org!news.quux.org!news.nk.ca!rocksolid2!i2pn2.org!.POSTED!not-for-mail From: will.dockery@gmail.com (W.Dockery) Newsgroups: alt.arts.poetry.comments,rec.arts.poems Subject: Re: Charles Bukowski Date: Sun, 5 Jan 2025 13:18:11 +0000 Organization: novaBBS Message-ID: <69b1e7dfbeae0f271819583c107c36d3@www.novabbs.com> References: <46a53064$0$31389$5a62ac22@per-qv1-newsreader-01.iinet.net.au> <69qdnfyXocagQzjbnZ2dnUVZ_hisnZ2d@comcast.com> <1185285659.060724.172660@19g2000hsx.googlegroups.com> <1185303375.722919.203710@o61g2000hsh.googlegroups.com> <1185372379.869988.115260@g4g2000hsf.googlegroups.com> <83301$46aa2570$18d62320$26983@KNOLOGY.NET> <f7a8b6d1-0fad-41f4-ae91-7aabaf180d2an@googlegroups.com> MIME-Version: 1.0 Content-Type: text/plain; charset=utf-8; format=flowed Content-Transfer-Encoding: 8bit Injection-Info: i2pn2.org; logging-data="2132796"; mail-complaints-to="usenet@i2pn2.org"; posting-account="Vf9CM7g99yqfGvzEHTw0bhrjcIfvzYBBhUuRma0rLuQ"; User-Agent: Rocksolid Light X-Rslight-Posting-User: acd0b3e3614eaa6f47211734e4cbca3bfd42bebc X-Spam-Checker-Version: SpamAssassin 4.0.0 X-Rslight-Site: $2y$10$zkgoq8WWBUTWIgK7RLZU5O5HjFJG4gCaqPJcppCwQaB1ZhgmpyFBi Zod wrote: > Will Dockery wrote: >> "baloney" wrote >>> Will Dockery wrote: >> >>> > It probably goes without saying that Buk's one of my favorites, though >>> > his name hasn't come up much lately (the last time was probably when I >>> > compared Chuck's "shock" style to Buk)... Dale Houstman gave me a very >>> > memorable paperback book blurb quote when he wrote that I was "...a >>> > better poet than Bukowski..." or something similar. >>> > >>> It doesn't surprise me that you'd like Buk and Houstman wouldn't. >> Well, the common dislike of Bukowski here is pretty interesting, in >> light of >> the firestorm of reaction here recently to another "poet" who has much >> more >> in common with Buk than Vera or Pandora, the >> chopped-up-confessional-prose-verse, the "fucken" plain speaking >> language, >> the /punch-line/ zinger at the end... Houstman, in a candid moment, >> might >> call Bukowski's poetry "shit", as he would others using the style... in >> a >> candid moment, or a confused one. >>> I like Buk in small doses; he's not my favorite, but there is a certain >> appeal. >> Well, like Blue's poem about Bukowski, and the flood of Buk-wannabes, >> sometimes the navel-gazings laced with "fuckens" and all that are >> interesting and amusing, and liven up a poetry reading since there's >> usually >> always a punk or two to jump up with that and scare the manager of the >> joint >> (I remember a few years ago when a host was forced by the managment to >> unplug the mic of Joseph Garcia when he went on and on with a poem about >> "fucking the wide vagina of the universe" or something like that in >> cosmic, >> sloppy detail... miss old Joe...) but my real favorites are the ones >> (like >> Houstman, Rimbaud, Ginsberg and... yeah, again, Kerouac) who also >> include >> the brilliant flashing chains of images with the gritty facts of passing >> out >> and waking up in the gutter... as I wrote a couple of weeks ago in a >> post >> that seems to have been passed over (since it got no responses): >>> >I can't agree with that since Kerouac is a quite brilliant poet, in my >> Opinion. >>> really? how so? how was Kerouac a "brilliant" poet? >> In my opinion he was. >> His poems, even more than the other writings, were intended to be >> flowing >> blasts of image and thought, conciously modeled after the feeling evoked >> by >> a free jazz saxophonist, and that he made it work, most notably in his >> masterpiece "Mexico City Blues" was pretty brilliant. >> Here's an example from MCB (and an aside to Baloney, if you're reading >> this, >> [Which I don't know if you did or not] >> I think you might see why I relate Dale Housman's poetry to Beat poems >> such >> as this, as well as the example of William Burroughs I gave earlier), >> that >> shows the flow of image on image in Kerouac's brilliant poetry: >> ---- >> 230th Chorus >> Love's multitudinous boneyard >> of decay, >> The spilled milk of heroes, >> Destruction of silk kerchiefs >> by dust storm, >> Caress of heroes blindfolded to posts, >> Murder victims admitted to this life, >> Skeletons bartering fingers and joints. >> -Jack Kerouac >> ---- >> That's it, my non-expert opinion on why Kerouac was a "brilliant" poet, >> take >> it or leave it. >> In fact, how about you follow your own "rules" and explain for a few >> paragraphs how Kerouac's poetry was /not/ "brilliant"? >> Nope, you'll no doubt just jeer at "Will Dockery" and manage to avoid >> anything else, am I right? >> Here's Kerouac's "mission statement" on what his poetry was intended, >> and >> did, achieve: >> "I want to be considered a jazz poet blowing a long blues in an >> afternoon jam session on Sunday. I take 242 choruses; my ideas vary >> and sometimes roll from chorus to chorus or from halfway through a >> chorus to halfway into the next." -Jack Kerouac >> And, sorry, pal, but here's an expert opinion cut-n-paste that supports >> my >> opinion that Kerouac's poetry is indeed "brilliant": >> "Kerouac is being popularized as an icon of culture - my regret is that >> sight of him as an artist will be lost.. We'll know his name and some >> work >> considered typical. But we'll miss one of the finest, brightest >> sensoriums >> that has graced verse with intelligence and intellect. [...] Kerouac is >> best >> known for his novel "On the Road", but his masterpiece is "Mexico City >> Blues", a religious poem startling in its majesty and comedy and >> gentleness >> and vision. [...] Kerouac is known worldwide as a novelist. He is >> sometimes >> also known as the writer of haiku-type poems or intermediate-length >> poems on >> the subject of Rimbaud or Budhism. But Kerouac is little known as the >> author >> of several major poems which he considered to be blues works. These >> books >> include the unpublished Washington D.C. Blues, San Francisco Blues, and >> Berkeley Blues. They range in style from Dos Passos-like descriptive >> verse >> to poetrylike journals. Outstanding in all modern poetry is the epic- >> length >> Mexico City Blues. [...] The rules of Mexico City Blues were that they >> should be written on the pages of a pocket notebook such as Kerouac >> nearly >> always carried. Each page of the notebook would be a chorus. Eventually, >> in >> the developing structure of the poem, each line becomes a complete, and >> whole,independent image. [...] A further rule of Mexico City Blues was >> that >> it must all be spontaneous - all a risk - a free, inspired, or >> noninspired, >> flowing statement, liberated from judgements about its value. It was >> done >> for itself - as an organism lives for itself." -Michael McClure >> Urm, well, that's where I'm at, or hoping to /get to/. >>> In case you haven't noticed, Earl Nelson's work is highly >>> influenced by Buk. >> This is the "Ghost of C Earl Nelson", who had a flurry of posts here a >> week >> or so ago? I read through some of that, and I guess you're right... as >> far >> as that sort of thing goes, I guess I prefer Chuck's "Perfect Angel" >> or... >> "Spectre". > > Again, well put....! Thanks again Zod. > >> -- >> "God's Toybox" by Dockery-Beck: >> http://www.myspace.com/shadowvilleallstars >> "Hasty Pudding" by Dockery-Conley: >> http://www.myspace.com/willdockery