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Path: ...!weretis.net!feeder9.news.weretis.net!news.nk.ca!rocksolid2!i2pn2.org!.POSTED!not-for-mail From: will.dockery@gmail.com (W.Dockery) Newsgroups: alt.arts.poetry.comments,rec.arts.poems Subject: Re: "To The Magic Store...." -- poetry review by Rick Howe Date: Wed, 29 Jan 2025 20:03:42 +0000 Organization: novaBBS Message-ID: <8967dbb3a3158bdd224ff27605a6e8a6@www.novabbs.com> References: <e713801205ec8aca3e3f9effdcc60c87@news.novabbs.com> MIME-Version: 1.0 Content-Type: text/plain; charset=utf-8; format=flowed Content-Transfer-Encoding: 8bit Injection-Info: i2pn2.org; logging-data="1753131"; mail-complaints-to="usenet@i2pn2.org"; posting-account="Vf9CM7g99yqfGvzEHTw0bhrjcIfvzYBBhUuRma0rLuQ"; User-Agent: Rocksolid Light X-Rslight-Posting-User: acd0b3e3614eaa6f47211734e4cbca3bfd42bebc X-Spam-Checker-Version: SpamAssassin 4.0.0 X-Rslight-Site: $2y$10$LqLdYnXhaSPF2WwI8jCWhOWqR6X0rA82jvLRSI10ehvugrsB3gha6 Bytes: 7920 Lines: 125 General-Zod wrote: > > To The Magic Store / Review by Rick Howe > > http://pennyspoetry.wikia.com/wiki/To_the_Magic_Store_by_Will_Dockery > > Will Dockery's New Poems > > To The Magic Store, just released by Will Dockery, is a publication of > modest proportions, consisting of a cover illustration followed by seven > pages of poetry. At that, there is something aesthetically effective > about this simple minibook design. Having issued a series of similar > books over the last several years, the author undoubtedly has acquired a > certain proficiency with them. It is probably a question, since one is > not sure how else to explain it, of /fitting/ or /filling/ - yet not > overfilling - a book of this size with an appropriate amount of > material, such that one might experience in it a satisfying ampleness, > notwithstanding the smallness of its format; at the same time expression > must reach completion in the allotted number of pages, and not leave the > impression of having been aborted, or that necessary articulations were > left out. Judicious resort to ellipsis may indeed be helpful in this > regard only providing it does not signify impoverishment. (Which is not > the same thing, really.) It is indicative that the book proceeds at what > > > seems, at once, a comfortable, unhurried pace; at the same time it is > more than the negligible sort of labor which one might expect in the > everyday course of things to have done in fifteen minutes or so. > > Style > > In style and temperament, William Dockery's poetry is a little like that > of John Berryman - cf., The Dreamsongs. A basically sensitive but > slightly discombobulated awareness wending its way through hazes of > intoxication; the neighborhood milieu. [..when I was staying/ at the > boarding house/ across from the park,/ I hated those bells/ and I hated > > > that place./ At the same time I loved it. In essence the theme is > search for self. Now, self, in the way in which a poet like William > Dockery understands it, is essentially a myth; in other words, a kind of > story in which self is revealed and delineated to itself. In fact self > cannot appear except through the mediation of external places and > people. But the important thing is that these must be interpreted as > > > having transcendental implications which might not be apparent at the > level of quotidean experience. So this is what is meant by the poet > entering his neighborhood or social milieu in search of self. Myth of > origin [how self first learns to recognize itself]; golden age, debacle. > > > These are some of the typical mythic components in life. To keep this on > a simple, general level. Of course much subtler comprehensions are also > possible. For example, a typical mythification involves a division of > life into periods. When I lived on such-and-such street, life had a > certain quality; I had these experiences, was acquainted with these > people, et cetera. Then I moved somewhere else and it wasn't the same; a > period of life came to an end. Thus life may be seen as a succession of > /periods/ of greater or shorter duration; each more or less > distinguished by objective referents [dates, addresses, names of > people], each revealing distinctive mythological dimensions as well. > > Content > > In To The Magic Store the poet is viewing such a period retrospectively. > It is a Proustian /remembrance of things past/ in a way; things are > remembered together with their psychological associations, producing a > sensation of mythological awareness. (It is not necessary to spell it > out with elaborate detail. The point is simply to intuit how a set of > associated names and images creates the effect of milieu or era.) > Viewed retrospectively, there is of course an emphasis on dissolution. > People drift away, some die, and eventually the milieu dissolves. The > tone of the book is predominantly one of loss and mourning. In one case > the poet later revisits one of his main friends - the speed junkie > musician Hugo - and finds he'd been burned in a terrible disaster,/ in a > wheelchair and speechless. With its emphasis on the downside of the > cycle, To The Magic Store corresponds [mythically speaking] with a > decline and fall - maybe not of a /golden age/, since more or less there > is only one full-blown golden age in a lifetime, but of some lesser > epicycle which never the less exhibits analogous phases of flourishing > and decline. Curiously enough, there is no magic store explicitly > mentioned in this book. Given the preoccupation with loss and mortality, > a suitable title might have been To The Cemetery. Indeed, the climactic > verses tell of taking a girl to a graveyard - to see the grave of the > guy who died./ We sat there in this graveyard park,/ with a six-pack of > beer./ he looked fragile/ as she drunkenly cried./ She looked open/ to > my sensibility... But then, as the poem concludes: :I can still > remember :her laughing at my poetry :didn't feel so good to me :after > I'd been up all night :pouring out my feelings. :I thought she was > interesting, :she turned out :she was just a little female fool. :Was > not able to put all the components :of my life in place... :my mythology > was incomplete. But the title might have a different and more Proustian > meaning. The mythology of self, unfulfilled in initial experience [where > to be sure such mythologies inevitably represent inconclusive > aspirations], might be prolonged through acts of memory; where by poetic > magic they may be perfected and internalized - notwithstanding their > preliminary frustration in mere circumstances. Perhaps this might shed > some light on the mystic quality of a poem like The Ballad of James > Collier. A line like I hope some of them are left is perhaps best taken > at face value, that is, in its natural sense. Other parts of the poem > allude to ghostly reunions - perhaps in some transcendental world where > the past continues as a permanent reality - In tiny detail. > > -Rick Howe, Topical Studies #5, January 1 1993. Used by permission. > > I noted the article of this on PPP today, where you'd corrected the > typo. > I went into your own article, and cut the review there down to the first > paragraph, adding a link to the "Magic Store" article at the end. I hope > that's OK; if not, of course, you can "Undo" it. > > I'd like to add this one by Rick, a review of a poetry and art chapbook > by > George Sulzbach: > > https://web.archive.org/web/20170925073614/http://unitedfanzineorganization.weebly.com/uploads/4/5/6/0/4560933/topical4.pdf > > Rick Howe's small press zine Topical Studies #4 > > Now that, my friends, is critique. > > I sure miss old Rick Howe, we were room mates for a spell back around > 1993 or 1994...!!! Again, good find, Zod.