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Path: news.eternal-september.org!eternal-september.org!feeder3.eternal-september.org!news.quux.org!news.nk.ca!rocksolid2!i2pn2.org!.POSTED!not-for-mail From: will.dockery@gmail.com (W.Dockery) Newsgroups: alt.arts.poetry.comments,rec.arts.poems Subject: Re: My Father's House / gjd (for new comments) Date: Wed, 12 Feb 2025 05:07:22 +0000 Organization: novaBBS Message-ID: <bb79d3d896abb692e5b85fe7eba3e933@www.novabbs.com> References: <97db0c3aeb33a7b97dc54cdfd5661e52@www.novabbs.com> <8449fc82c39b215c669a357d5ba5e1c7@www.novabbs.com> <ab63475112ba9a983e515d303320126a@www.novabbs.com> <bcd3d8cb722cb944088708db1a0d53bc@www.novabbs.com> <cc48d375dc0659a89cabed1b881faf5d@www.novabbs.com> <828e49648d553b1b3b12d02553de9e3d@www.novabbs.com> <e0243fc6d91cc873a61e7c646c87e2e5@www.novabbs.com> <f6c4f6bab2063846d2e35b62993499c6@www.novabbs.com> <abb3446487448a693fe184ade9e544c8@www.novabbs.com> <70db94aedc38dfa3032e5330b3ffdff3@www.novabbs.com> <9fe4db6bc99acc0a742eb2d5845c249f@www.novabbs.com> MIME-Version: 1.0 Content-Type: text/plain; charset=utf-8; format=flowed Content-Transfer-Encoding: 8bit Injection-Info: i2pn2.org; logging-data="3838631"; mail-complaints-to="usenet@i2pn2.org"; posting-account="Vf9CM7g99yqfGvzEHTw0bhrjcIfvzYBBhUuRma0rLuQ"; User-Agent: Rocksolid Light X-Rslight-Site: $2y$10$pKI2Nf6pn5IXzeJ5ythJCOHAnEOKCbh.hkAp8eUlE2KwwFO1u3qoq X-Spam-Checker-Version: SpamAssassin 4.0.0 X-Rslight-Posting-User: acd0b3e3614eaa6f47211734e4cbca3bfd42bebc On Wed, 12 Feb 2025 4:25:14 +0000, HarryLime wrote: > On Mon, 10 Feb 2025 19:06:31 +0000, Will Dockery wrote: >> On Mon, 10 Feb 2025 4:18:39 +0000, HarryLime wrote: >>> Will Dockery wrote: >>>>> On Sun, 9 Feb 2025 19:58:55 +0000, HarryLime wrote: > >>>>>> Will Dockery wrote: >>>>>>> George J. Dance wrote: >>> >>>>>>>>>>>>> My Father's House >>>>>>>>>>>>> >>>>>>>>>>>>> This is my father's house, although >>>>>>>>>>>>> The man died thirteen years ago. >>>>>>>>>>>>> They said it would be quite all right >>>>>>>>>>>>> To take a drive to see it now. >>>>>>>>>>>>> >>>>>>>>>>>>> Dad laid those grey foundation blocks >>>>>>>>>>>>> And built the whole thing (from a box), >>>>>>>>>>>>> Toiling after each full day's work. >>>>>>>>>>>>> I helped, though I was only six. >>>>>>>>>>>>> >>>>>>>>>>>>> Look, here's the back door I would use >>>>>>>>>>>>> And here's where I'd remove my shoes >>>>>>>>>>>>> To enter; there I'd leave my things >>>>>>>>>>>>> And, when allowed, climb up these stairs. >>>>>>>>>>>>> >>>>>>>>>>>>> In this room I'd wash many a dish, >>>>>>>>>>>>> Gaze out this window, and I'd wish >>>>>>>>>>>>> To be so many other places. >>>>>>>>>>>>> (Wishy-washy? Oh, I guess!) >>>>>>>>>>>>> >>>>>>>>>>>>> Outside, the garden that he grew >>>>>>>>>>>>> Where I would work the summers through, >>>>>>>>>>>>> While watching my friends run and play >>>>>>>>>>>>> Mysterious games I never knew. >>>>>>>>>>>>> >>>>>>>>>>>>> That room's all changed; oh, where is it, >>>>>>>>>>>>> The one chair I was let to sit? >>>>>>>>>>>>> (For boys can be such filthy things.) >>>>>>>>>>>>> Which, the corner where boys were put? >>>>>>>>>>>>> >>>>>>>>>>>>> Oh ... down that hall there is a room >>>>>>>>>>>>> Where I'd be shut (as in a tomb) >>>>>>>>>>>>> After the meal, to make no noise, >>>>>>>>>>>>> To read or play alone, and then >>>>>>>>>>>>> >>>>>>>>>>>>> Lights out: in bed by nine each night, >>>>>>>>>>>>> Some nights wanting to pee with fright, >>>>>>>>>>>>> Face and pyjama bottoms down >>>>>>>>>>>>> As for my father's belt I'd wait. >>>>>>>>>>>>> >>>>>>>>>>>>> Oh, if I were a millionaire >>>>>>>>>>>>> I'd buy my father's house, and there >>>>>>>>>>>>> I'd build a bonfire, oh so high >>>>>>>>>>>>> Its flames would light up all the air. >>>>>>>>>>>>> >>>>>>>>>>>>> ~~ >>>>>>>>>>>>> George J. Dance >>>>>>>>>>>>> from Logos and other logoi, 2021 >>>>>>>>>>>> >>>>>>>>>>>> Here it is, MFH. >>>>>>>>>>> >>>>>>>>>>> Thank you for reposting this poem of mine, Will. While it's true that it >>>>>>>>>>> has been discussed a lot over the years, it also true that at least one >>>>>>>>>>> person wants to discuss it now; and this would be the appropriate place >>>>>>>>>>> to move those comments, rather than leaving them scattered all over the >>>>>>>>>>> group. So let's start with this one: >>>>>>>>>>> >>>>>>>>>>> On Mon, 3 Feb 2025 16:15:27 +0000, Michael Monkey Peabrain (MPP) aka >>>>>>>>>>> "HarryLime" wrote: >>>>>>>>>>>> On Mon, 3 Feb 2025 13:06:00 +0000, George J. Dance wrote: >>>>>>>>>>>>>> Why do you lie so much, George? >>>>>>>>>>>>>> (That's a rhetorical question, as you've already intimated that your >>>>>>>>>>>>>> pathological lying stems from you having been abused as a child.) >>>>>>>>>>>>> >>>>>>>>>>>>> No, Lying Michael: I have never said, or even "intimated" (!) that I was >>>>>>>>>>>>> pathological, lying, or >>>>>>>>>>>>> "abused as a child". >>>>>>>>>>> >>>>>>>>>>>> You wrote a "mostly autobiographical" poem detailing the abuses you >>>>>>>>>>>> suffered as a child, George. And you're demonstrating your pathological >>>>>>>>>>>> obsession with lying in your trio of denials, listed above. >>>>>>>>>>> https://www.novabbs.com/arts/article.php?id=15801&group=rec.arts.poems >>>>>>>>>>> >>>>>>>>>>> HarryLiar has manufactured yet another fake quote; I have never called >>>>>>>>>>> this poem "mostly autobiographical" or autobiographical in many ways. I >>>>>>>>>>> have distinctly told him in the past that, while some of the speaker's >>>>>>>>>>> memories were based on my own childhood experiences, not all of them >>>>>>>>>>> were; I was using them in a work of creative fiction, not an >>>>>>>>>>> autobiography of any kind. So he lied and made up a fake quote to >>>>>>>>>>> support his lie. >>>>>>>>>>> >>>>>>>>>>> The poem is meant to be a dramatic monolgue, in the style of Browning >>>>>>>>>>> (His "My Last Duchess" is a good example), meant to get inside the >>>>>>>>>>> psychology of a speaker or persona. The speaker may have experienced >>>>>>>>>>> his childhood as "abuse" - HarryLiar calls it that but the speaker >>>>>>>>>>> doesn't. The memories of it, though, have stayed on his mind, and he >>>>>>>>>>> wants to get rid of those memories (symbolized by burning down the house >>>>>>>>>>> at the end). >>>>>>>>>>> >>>>>>>>>>> It's deliberately left to the reader to decide if the speaker actually >>>>>>>>>>> had been abused by his father or not. I did structure it, for effect, >>>>>>>>>>> from the least to the most abusive-seeming experiences; from having to >>>>>>>>>>> use a back door and remove his shoes to enter the house, to doing >>>>>>>>>>> household chores, to doing garden work in the summertime, to not being >>>>>>>>>>> allowed to use some of the furniture, to having to stay inside alone at >>>>>>>>>>> night and be in bed early, to being subjected to corporal punishment. >>>>>>>>>>> Adding them together like that, it's easy enough to conclude that the >>>>>>>>>>> father had been abusive; but I'll point out that all of those events >>>>>>>>>>> were things children commonly experienced 50-60 years ago, and that none >>>>>>>>>>> of them were commonly considered abusive. >>>>>>>>>> >>>>>>>>>> As Karla Rogers often reminded us: >>>>>>>>>> >>>>>>>>>> "Try not to mistake the speaker in the poem with the writer of the >>>>>>>>>> poem." >>>>>>>>> >>>>>>>>> As I'd noted in my post, Karla's oft-quoted adage (oft-quoted by you, >>>>>>>>> that is), is simply incorrect. >>>>>>>>> >>>>>>>>> My previous post explains why: >>>>>>>>> >>>>>>>>> "In fact, Karla's oft-quoted adage aside, one can *never* fully separate >>>>>>>>> the two. >>>>>>>>> For instance, all of the characters in any author's fictional novel are >>>>>>>>> going to represent some aspect of the author. Every poem stems from its >>>>>>>>> author's imagination... regardless of what external persons and/or >>>>>>>>> events might have inspired it. Every literary work is similar to a >>>>>>>>> dream construct in that regard; and like a dream construct, can be >>>>>>>>> analyzed by a psychologist, a literary critic, or even the average >>>>>>>>> reader. Since "My Father's House" was based to a large extent on your >>>>>>>>> own childhood experiences, it literally begs for a psychoanalytical >>>>>>>>> reading." >>>>>>>>> >>>>>>>>> -- >>>>>>>> >>>>>>>> You dispute the wisdom of the mighty Karla Rogers? >>>>>>> >>>>>>> Are you trying to troll >>>>>> >>>>>> No, you're the super troll, Pendragon. >>>>>> >>>>>> I'm here for the poetry. >>>>> >>>>> You're only here for the waffles. >>>> >>>> >>>> While you're only here to lie and misrepresent, Harry. >>>> >>>> And so it goes. >>> >>> >>> Are you denying that you posted each of the statements listed below, >> >> As part of a discussion with others. >> >> Context matters. > > Not in this case Sure it does > How does it matter whether you were discussing the local Waffle Houses > with Zid in several different threads, or whether you launched several > Waffle-related threads on your own? > > The point is that you were discussing Waffle Houses, repeatedly, in a > newsgroup about poetry. The same can be said about you right now. 😏 > Ergo, you were not here for the poetry (which you rarely discuss -- That's not true, I've been discussing the poetry of Robert Creeley for a week now. 😏