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Path: ...!news.roellig-ltd.de!open-news-network.org!weretis.net!feeder8.news.weretis.net!fu-berlin.de!uni-berlin.de!individual.net!not-for-mail From: ted@loft.tnolan.com (Ted Nolan <tednolan>) Newsgroups: rec.arts.movies.current-films Subject: Re: The intense heat on the set of The Wizard of Oz (1939) Date: 18 Oct 2024 23:49:27 GMT Organization: loft Lines: 39 Message-ID: <lngag7Fr397U1@mid.individual.net> References: <YI2dnWfuk4mSfY_6nZ2dnZfqn_GdnZ2d@giganews.com> X-Trace: individual.net +09YXl9driRhmOGkErmSnQ5KlLAZJXhWFIYPwWI97PW+K563dJ X-Orig-Path: not-for-mail Cancel-Lock: sha1:JoERzNKygHLSKNokoobtuRnF02Y= sha256:G/JyreeSi3CCGqEWyoOKboFYYmdd0cxeBMWNhDvKdjA= X-Newsreader: trn 4.0-test76 (Apr 2, 2001) Bytes: 2650 In article <YI2dnWfuk4mSfY_6nZ2dnZfqn_GdnZ2d@giganews.com>, MummyChunk <mummycullen@gmail-dot-com.no-spam.invalid> wrote: >The set of "The Wizard of Oz" (1939) became notoriously hot >due to the early use of Technicolor, which required extensive lighting >and large sets with cameras strategically placed in various corners. >This elaborate setup made the environment extremely uncomfortable. > >Cinematographer Harold Rosson recalled in *The Making of the Wizard of >Oz*, "We had enormous banks of lights overhead. We borrowed every >unused arc light in Hollywood. It was brutally hot. People were always >fainting and being carried off the set." > >Temperatures reportedly soared above 38 degrees Celsius (100 degrees >Fahrenheit). When the heat became unbearable, director Victor Fleming >would order the lights to be turned off and the studio doors opened, >allowing the cast and crew to step outside and cool down. > >Early Technicolor used three reels of negative film running >simultaneously inside the camera....one for each of the primary >colors. Prisms split the light coming through the lens into three >images, one for each reel. That is why it required so much light. >Later, Technicolor perfected negative film containing all three >emulsions. > >This intense heat was just one of the many challenges faced during the >production of this iconic film, which has since become a beloved >classic in American cinema. The dedication of the cast and crew under >such harsh conditions is a testament to their commitment to bringing >this magical story to life. > >View the attachments for this post at: >http://www.jlaforums.com/viewtopic.php?p=676410820#676410820 > Buddy Ebsen was famously allergic to the Tin Man makeup, forcing him to abandon the part during filming. -- columbiaclosings.com What's not in Columbia anymore..