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From: Kyonshi <gmkeros@gmail.com>
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Subject: [The Guardian] It crawled from below 50 years ago: how the global
 Dungeons and Dragons empire began in a basement
Date: Sat, 13 Apr 2024 09:00:05 +0200
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Source: 
https://www.theguardian.com/games/2024/apr/11/it-crawled-from-below-50-years-ago-how-the-150m-dungeons-dragons-empire-began-in-a-basement

It crawled from below 50 years ago: how the global Dungeons & Dragons 
empire began in a basement

The fantasy tabletop role-playing game was conceived of by friends at 
the heart of Wisconsin’s gaming community, and has evolved to become a 
global phenomenon

Keith Stuart
Thu 11 Apr 2024 13.00 CEST

There are 15 of us crammed into a cellar beneath a nondescript house in 
Lake Geneva, Wisconsin. To the uninformed observer, there’s nothing to 
see down here: just two low rooms, bare breeze-block walls, a ceiling 
lined with pipes. Yet we’re all looking about the place in hushed awe, 
like tourists staring up at the ceiling of the Sistine Chapel. The 
people I’m with are journalists, bloggers and historians, most of them 
specialising in table-top games, and we’re here because this is not an 
ordinary basement. It sits beneath 330 Center Street, the one-time home 
of Dungeons & Dragons co-creator Gary Gygax. And in February 1973 
something happened here that would change the world of gaming, culture 
and entertainment for ever.

Across town, at the Grand Geneva Resort & Spa, Gary Con XVI is in full 
swing. The annual convention organised by Luke Gygax in honour of his 
father has been taking place every year since Gary died in 2008. It 
started with a few hundred devoted fans, but now several thousand come 
to play D&D and many other wargames, board games and role-playing games. 
They pack out the building’s many conference rooms and corridors, 
hunched in groups around large tables laden with character sheets, dice 
and snacks; they dress up as warriors and wizards and attend talks. Many 
have clearly been playing for decades.

This year is special – it’s the 50th anniversary of D&D. It was early 
1974 that the first edition was launched; a brown wood-grain box 
containing three slim rulebooks. One of the big announcements of the 
event is that Wizards of the Coast is publishing a range of nostalgic 
half-century celebrations, including two new campaigns based on classic 
D&D adventures from the 70s and 80s, Vecna: Eve of Ruin and Quests from 
the Infinite Staircase. There’s also a 500-page tome entitled The Making 
of Original D&D: 1970-1977, which reprints the original manuscript of 
D&D, complete with handwritten annotations.

What’s immediately clear is how modest and homespun the project was at 
the beginning. “I’ve been gaming my entire life, it’s in my DNA,” says 
Luke Gygax, presenting a welcome panel. “I was patient zero for D&D. In 
the early days at 330 Center Street, we helped to assemble the games. I 
tested a lot of adventures – Against the Giants, Lost Caverns of 
Tsojcanth, The Forgotten Temple of Tharizdun – and I helped to create 
monsters, magic items and spells. It was just a part of playing the game 
with my dad.”

The Gygax home was a focal point of the wargaming community in late 
1960s Wisconsin. Gary was a founding member of the International 
Federation of Wargamers and in 1968 he set up the society’s annual Gen 
Con event at the Lake Geneva Horticultural Hall. At this time, people 
were playing board-based wargames such as Gettysburg and Stalingrad, or 
miniature wargames, which used models of soldiers and vehicles on large 
tabletop maps. Both sought to simulate historical battles with dense 
rules. At his home, in the cellar, Gygax met up every weekend with his 
local group, the Lake Geneva Tactical Studies Association, to play games 
and plan their own variations and rules.
The basement in which Gary Gygax and Dave Arneson planned Dungeons & 
Dragons. The sand table is a reproduction of one used for miniature 
wargaming

Meanwhile, 300 miles away, University of Minnesota student Dave Arneson 
was also deep into the wargaming scene, playing a variety of games with 
his own highly experimental group, the Midwest Military Simulation 
Association. “They were already messing around with some interesting 
variants of a game called Diplomacy,” says Michael Witwer author of the 
Gary Gygax biography Empire of the Imagination and several books on the 
history of D&D. Diplomacy was a first world war wargame in which players 
each commanded the forces of a different country. Uniquely, however, it 
wasn’t just about combat; players also had to form alliances and secret 
plots. “It is a really interesting game,” says Witwer. “Lots of 
interpersonal activity, subterfuge and negotiation.”

Gygax and Arneson met for the first time at Gen Con in 1968. Arneson 
brought with him some miniature ship models he’d made and Gary was 
impressed. The two hit it off, kept in touch and later made a Napoleonic 
naval wargame together named Don’t Give Up the Ship.

But a year later, an even more important meeting took place. “It’s Gen 
Con 1969 and we’re down in Gary’s basement – Gary, Dave and me,” says 
Bill Hoyt, a member of Dave’s old gaming group who, in his late-80s, is 
still running wargames. “We started talking about games, what could we 
do with them – and the idea of medieval gaming came up, knights and 
castles and all that. Gary said, ‘yes, let’s do that! We’ll collect some 
figures, find some rules, and we’ll come back to Gen Con next year and 
we’ll play the game together’.”

Gary formed the Castle & Crusade Society in 1970, for gamers interested 
in exploring medieval wargaming. Dave Arneson joined in April. The group 
had its own fanzine, The Domesday Book, where they swapped ideas – 
vitally, they even formed their own imagined medieval realm, the Great 
Kingdom. They wrote to each other in character as knights and lords, 
informing each other of news from their areas of this fantasy domain. 
Already, the story-telling and character-embodiment elements of D&D were 
coming into play; the kernel of an idea casually bandied about in Gary’s 
basement was taking on a life of its own.

Gygax went on to co-create a medieval wargame named Chainmail, which 
created rules for man-to-man fighting with armour and swords, and 
brought in some innovative new ideas such as superhero characters who 
took a number of hits to defeat. At the same time, Dave Arneson was 
messing about with an experimental project named Braunstein by David 
Wesely, a Napoleonic wargame inspired by Diplomacy. Instead of 
controlling armies, players took on the roles of individual characters 
in the fictional German town of the title, all with their own personal 
objectives.

Inspired, Arneson created a campaign variation named Blackmoor, in which 
players worked together as individual characters to explore a medieval 
town, including its castle and dungeons. It brought in the concept of 
hit points, so that characters could take damage without dying, and used 
Chainmail’s combat system for fights with non-player characters. Gary 
read about this in Dave’s own fanzine, Corner of the Table, and asked 
him to come down to Lake Geneva and run a game for him and his group.

That’s how, in February 1973, Dave Arneson and fellow game designer Dave 
Megarry came to take the long road trip down from Minneapolis to Lake 
Geneva to play Blackmoor in Gary’s basement. “It seems to me, looking at 
the remnants of those sessions, that Blackmoor was the first game that 
someone from today would look at and recognise as a role-playing game,” 
says Witwer. “Gary’s intent was to see this Blackmoor thing that 
everyone was talking about and how it worked. They played all weekend, 
and Gary lost his mind over it – it was so innovative and different, 
he’d never seen anything quite like it.”

Things moved fast after this. Determined to formalise their sketchy 
concept into a fantasy game that could be published, Gygax spent several 
weeks typing out a 50-page ruleset in his home office. He sent this to 
Arneson, who posted back amends. Eventually the document reached 150 
pages. They had a game – of sorts. You still needed a copy of Chainmail 
to play it, and the many-sided dice were sold separately, but it was 
ready. This was Dungeons & Dragons.

The finished product was printed in early 1974. Only a thousand were 
made, each selling for $10. The customers were people who were already 
deep into wargaming, reached through fanzines and conventions. At the 
time, there was little money in it, but Gygax set up a company named 
Tactical Studies Research to publish D&D, taking a $1,000 loan from his 
friend Don Kaye. TSR was run from Gary and Don’s homes for a year or so 
as the sales trickled in, but gradually word got around about this crazy 
new game where you pretended to be adventurers in a medieval-themed 
kingdom. It found is way onto university campuses; in 1975 the UK 
company Games Workshop started distributing it in Europe. By the end of 
1975, TSR’s turnover was $60k – by the early 80s it was $20m a year and 
growing fast.

“That meeting between Gygax, Arneson and Megarry in 1973 was the 
culmination not just of their experiences of gaming, but of decades of 
experimentation and game design and wargaming,” says Witwer, who later 
takes us on a sightseeing tour around the town. “All kinds of crazy 
ideas came to roost in that moment; they started piecing together things 
that had never been put together before.”

Before I leave Gary Con I bump into Hoyt again and our conversation 
almost inevitably leads back to that basement. “I travelled down to the 
Gen Con convention in 1974,” he says. “I met up with Dave Arneson and we 
went over to Gary’s house. We were in the basement and they were opening 
up the second printing of the game. And Dave says, ‘You want to buy one, 
don’t ya?’ Well, we’d driven all the way from the Twin Cities and we’d 
had two idiots driving – they loved to speed, so we were paying money 
for their speeding tickets all the way up. I had 25 bucks left for the 
whole weekend. But I bought it anyway.” He’s been playing ever since.

What was it, I ask him, about playing the first version of D&D in that 
basement that caught hold of you and wouldn’t let go? He thinks about 
this for a while. His mind is wandering back to that room, 50 years ago, 
Gary rolling the dice, Dave Arneson poring over tables of random 
encounters. “It’s the story – that’s the whole thing,” he says. “It’s 
about sharing stories. Some people can’t grab that, they’re too concrete 
– those people will never play. But people with imagination? Oh yeah, 
they’ll play … They’ll play.”

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