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Path: eternal-september.org!news.eternal-september.org!feeder3.eternal-september.org!newsfeed.xs3.de!nntp-feed.chiark.greenend.org.uk!ewrotcd!news.eyrie.org!.POSTED!not-for-mail From: mccomb@medieval.org (Todd M. McComb) Newsgroups: rec.music.classical.recordings Subject: Re: new Scelsi quartets album (Was: OT: Why the Jews?) Date: Sun, 7 Jul 2024 22:16:45 -0000 (UTC) Organization: Medieval Music & Arts Foundation Message-ID: <v6f44d$vq4$1@hope.eyrie.org> References: <0001HW.2C25EF5B04E0C5F830DBC238F@news.giganews.com> <v5fmob$1pf9a$1@dont-email.me> <v5fmv6$te9$1@hope.eyrie.org> <v5ivbu$gaq$1@hope.eyrie.org> Injection-Date: Sun, 7 Jul 2024 22:16:45 -0000 (UTC) Injection-Info: hope.eyrie.org; logging-data="32580"; mail-complaints-to="news@eyrie.org" X-Newsreader: trn 4.0-test77 (Sep 1, 2010) Originator: todd@pangkur.medieval.org (Todd M. McComb) I'm still preparing updates to my web discussion of individual Scelsi pieces accordingly, but the new Quatuor Molinari recording on Atma is certainly worthwhile. There's indeed the second recording of No. 5 after all these years, although I'm still finding that work more a curiosity than anything.... Quartet No. 1, in a more traditional style, doesn't make a huge impression here either (v. previously -- it's an interesting piece in its own way). But the middle group, the more "peak period" quartets are all given worthwhile readings that at least bring out some new aspects. And from my notes, I'd moved on from Arditti already in preferences for Nos. 2 & 4, but not yet for No. 3, so that might be the most impactful for the new set, at least initially.... Finally, that this recording is in 24bit & 96 kHz is also welcome, often making harmonics & undertones easier to hear. (I often seem to enjoy e.g. the sound of the cello especially in these higher sampling formats....)