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Path: ...!eternal-september.org!feeder3.eternal-september.org!news.eternal-september.org!.POSTED!not-for-mail From: Chris Ahlstrom <OFeem1987@teleworm.us> Newsgroups: comp.os.linux.advocacy Subject: Re: Thankgiving Thanks To GNU/Linux Date: Tue, 3 Dec 2024 06:36:42 -0500 Organization: None Lines: 31 Message-ID: <vimqgb$1892$4@dont-email.me> References: <pan$687f3$fb49e47c$9387654$558cad0f@gnulinux.rocks> <48CcndSZ16xTStr6nZ2dnZfqnPudnZ2d@giganews.com> <lqqdhsFo61aU2@mid.individual.net> <UeecnXOrjsXoGtX6nZ2dnZfqnPWdnZ2d@giganews.com> <vicbcf$1283u$4@dont-email.me> <lqulnrFecgoU2@mid.individual.net> <viev24$1mmj5$3@dont-email.me> <lr16feFqrjiU3@mid.individual.net> <vifor1$1t2u3$2@dont-email.me> <lr1qlaFu4ncU1@mid.individual.net> <vihtfo$2i4el$2@dont-email.me> <vik7co$39vv0$4@dont-email.me> <lr6esoFmag8U4@mid.individual.net> <vil4fv$3ho7t$1@dont-email.me> <lr7fk4FrhprU1@mid.individual.net> Reply-To: OFeem1987@teleworm.us Injection-Date: Tue, 03 Dec 2024 12:36:43 +0100 (CET) Injection-Info: dont-email.me; posting-host="1d53ef0633e17d06115206047af05928"; logging-data="41250"; mail-complaints-to="abuse@eternal-september.org"; posting-account="U2FsdGVkX18UHfoCfEBGNzf1e+CaGxUn" User-Agent: slrn/1.0.3 (Linux) Cancel-Lock: sha1:Dl/Iz2Bfu2nRAoy+5KzC+IsM+wc= X-Face: 63n<76,LYJQ2m#'5YL#.T95xqyPiG`ffIP70tN+j"(&@6(4l\7uL)2+/-r0)/9SjZ`qw= Njn mr93Xrerx}aQG-Ap5IHn"xe;`5:pp"$RH>Kx_ngWw%c\+6qSg!q"41n2[.N/;Pu6q8?+Poz~e A9? $6_R7cm.l!s8]yfv7x+-FYQ|/k X-Slrn: Why use anything else? X-User-Agent: Microsoft Outl00k, Usenet K00k Editions X-Mutt: The most widely-used MUA Bytes: 2878 rbowman wrote this post while blinking in Morse code: > On Mon, 2 Dec 2024 15:14:54 -0500, Chris Ahlstrom wrote: > >> That small DIY unit with a case is almost $300. They have a rack setup >> with roughly the same equipment (plus a MIDI to control voltage >> converter) >> for over $600. > > https://www.zoom.co.jp/products/effects-preamps/guitar/zoom-9000-advanced- > guitar-effects-processor > > That's as complicated as I ever got. The Crate G20 XL has a spring reverb > and "Sequential Cascading Gain" aka distortion if I want to annoy the > neighbors. These days I mostly stick with the acoustics, either 6 or 12 > string. I later took off the module panel, moved the modules to a separate case, and added a spring-reverb module. Later, PAIA came out with a digital module that would digitally refresh the sample-and-hold circuits; could do an arpeggio with it. Years laters I gave the whole kit to a guy who was a fellow member of the Augusta GA Atari club, and he used it to control a laser via mirrors. These days Yoshimi is my "analog" synthesizer. Wrote a 300-page document on how to use it, though others are carrying on that work. -- Hindsight is an exact science.