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Path: news.eternal-september.org!eternal-september.org!feeder3.eternal-september.org!panix!.POSTED.2602:f977:0:1::2!not-for-mail From: kludge@panix.com (Scott Dorsey) Newsgroups: rec.arts.sf.written Subject: Re: YASFID strange color Date: Mon, 21 Apr 2025 15:12:24 -0400 (EDT) Organization: Former users of Netcom shell (1989-2000) Message-ID: <vu65ao$dc$1@panix2.panix.com> References: <pan$8287b$9f14df55$976a4592$4c1d29e3@cpacker.org> <vu2ur8$qqb$1@panix2.panix.com> <9n7a0klgchoc30pm0i0qb5hv87jgb2ge5m@4ax.com> Injection-Info: reader1.panix.com; posting-host="2602:f977:0:1::2"; logging-data="11512"; mail-complaints-to="abuse@panix.com" Paul S Person <psperson@old.netcom.invalid> wrote: >On Sun, 20 Apr 2025 10:03:20 -0400 (EDT), kludge@panix.com (Scott >Dorsey) wrote: > >I don't normally do this but, as it happens, I recently saw a film >based on the story that I really liked: ><https://www.amazon.com/review/R3M5UVI9YLBC4D/ref=3Dcm_cr_srp_d_rdp_perm?= >ie=3DUTF8> > >These films all face (or faced?) a similar problem: how do you show, >on the silver screen, a color that is different from all known colors? You shoot it in black and white and rely entirely on the protagonist's verbal description. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis."